What three things does friar laurence tell romeo he has to be for in act 3?

romeo and juliet  is a  tragedy written by william shakespeare  early in his career about two young  star-crossed  lovers whose deaths ultimately reconcile their feuding families. it was among  shakespeare's  most popular plays during his lifetime and along with  hamlet, is one of his most frequently performed plays. today, the title characters are regarded as  archetypal  young lovers.

romeo and juliet  belongs to a tradition of tragic  romances  stretching back to antiquity. the plot is based on an italian tale translated into verse as  the tragical history of romeus and juliet  by  arthur brooke  in 1562 and retold in prose in  palace of pleasure  by  william painter  in 1567. shakespeare borrowed heavily from both but expanded the plot by developing a number of supporting characters, particularly  mercutio  and  paris. believed to have been written between 1591 and 1595, the play was first published in a  quarto  version in 1597. the text of the first quarto version was of poor quality, however, and later editions corrected the text to conform more closely with shakespeare's original.

shakespeare's use of his poetic  dramatic structure  (especially effects such as switching between comedy and tragedy to heighten tension, his expansion of minor characters, and his use of sub-plots to embellish the story) has been praised as an early sign of his dramatic skill. the play ascribes different poetic forms to different characters, sometimes changing the form as the character develops. romeo, for example, grows more adept at the  sonnet  over the course of the play.

with mrs. linde, nora reveals her insensitivity and lack of shame about the forgery she committed. she implies that mrs. linde has obviously aged since they last met 10 years earlier, which accounts for nora’s inability to recognize her old friend. although nora seems sympathetic to mrs. linde’s plight, she can’t seem to control herself from boasting about her three children, her husband’s recent promotion, and how good she feels to finally have some money to spend. in a way, she seems to be flaunting her good fortune in front of mrs. linde who, deprived of all these benefits, has come to ask nora for . it is also through her interactions with mrs. linde that we realize something deeper lies under nora’s seemingly childish exterior. she reveals the secret of her forgery to mrs. linde and seems to see herself as quite resourceful for having done it.

in the company of dr. rank, nora is freer than she is with her own husband. she openly laughs with joy at knowing that all the other bank employees will be under her husband’s control. she offers dr. rank a macaroon, apparently forgetting that he knows she is forbidden to eat them. she then quickly covers for herself by claiming that mrs. linde brought them. nora seems much more assertive and free with these other characters, as well as unabashedly willing to scheme, lie, and justify her transgressions as altruistic.  

krogstad provides an interesting parallel to nora. like nora, he too is guilty of committing forgery, for which torvald condemns him and decides to fire him. although krogstad is a man and nora a woman, their crimes of forgery unite them. in fact, krogstad might represent what nora would be like if she were a man and were not strictly scrupulous like her husband is. for example, she tells mrs. linde that "a barrister's profession is such an uncertain thing, especially if he won't undertake unsavoury cases; and naturally torvald has never been willing to do that." perhaps nora would have delved into the unsavory, given how opposite she is to her husband. krogstad's is also the only harsh voice of reality that nora is forced to hear, and that is because he blackmails her for her regaining his job at the bank. finally, torvald’s reaction to krogstad’s forgery seems to foreshadow his harsh and cold reaction to nora’s forgery.

being surrounded by crimes, poverty, and failing schools as well as his own lack of confidence in his abilities.