The word volcano is thought to have come from roman mythology, specifically derived from vulcan, the roman god of fire who was thought to be jupiter’s blacksmith and responsible for making arrows and shields. vulcan also had a greek equivalent, known as hephaestus, whose name means “burning” or “flaming.” volcanoes were featured in ancient poetry, where they are described as the blacksmith’s workshop. when a mountain erupted, the ancients thought it was caused by smoke escaping through the chimney of vulcan’s workshop when he was at work.
question: the article says that ancient poetry links which two of the following to volcanic eruptions?
the god vulcan’s anger with the people
the god vulcan’s search for blacksmith tools
the god vulcan’s work for jupiter
the god vulcan’s display of his creations
the god vulcan’s work on weapons

Match each excerpt to the correct stanza structure. it was many and many a year ago, in a kingdom by the sea, that a maiden there lived whom you may know by the name of annabel lee; and this maiden she lived with no other thought than to love and be loved by me. (from "annabel lee" by edgar allan poe) o thou, new-year, delaying long, delayest the sorrow in my blood, that longs to burst a frozen bud and flood a fresher throat with song. (from "in memoriam" by alfred lord tennyson) nature’s first green is gold, her hardest hue to hold. her early leaf’s a flower but only so an hour. then leaf subsides to leaf. so eden sank to grief,; so dawn goes down to day. nothing gold can stay. (from "nothing gold can stay" by robert frost) at sestos hero dwelt; hero the fair, whom young apollo courted for her hair, and offered as a dower his burning throne, where she should sit for men to gaze upon. the outside of her garments were of lawn, the lining purple silk, with gilt stars drawn; (from "hero and leander" by christopher marlowe) quatrain couplet octave sestet

Nthis excerpt from act v of shakespeare's romeo and juliet, friar laurence's letter to romeo is not delivered due to circumstances beyond his control. what is the conflict in the scene?

In the following line, "so many crazed men, so much shouting, so much brutality, " what type of rhetorical feature is wiesel using to emphasize the image?