8 Select the correct answer. Q. Daniel enrolls into an undergraduate program. He has written for his school magazine, contests, and also for a use these experiences to enhance his career prospects? OА. Daniel should focus on the outcome of the undergraduate program and internship. OB. Daniel should now alm to write on sensational news stories. OC. Daniel should compile a portfolio of past works to showcase to future employers. OD Daniel should only focus to complete a successful Internship. Reset Next

gandhi's the story of my experiments with truth puts us in the first person. this allows us to really understand the characters and feel like we are living within the story. if it was in third person we may have felt as if we were just watching the story unfold. since it is in first person it allows us the opportunity to feel as if we really are a part of the story.

first person

explanation:

they are all talking about chocolate (next time you post a question with "which" post the choices too)

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran