"Ôi Việt Nam xứ sở lạ lùng Đến em thơ cũng hóa đến anh hùng Đến ong dại cũng luyện thành tráng sĩ Và hoa trái cũng biến thành vũ khí" a) Hình ảnh "em thơ cũng hóa những anh hùng" khiến em liên tưởng đến ai? Trong bài thơ nào? Của ai? b) Hãy chép chính xác những câu thơ minh chứng cho phẩm chất anh hùng của nhân vật đó trong bài thơ em vừa tìm được. c) Là một học sinh được sinh ra, lớn lên trong thời kì đất nước hòa bình, em sẽ làm gì để góp phần xậy dựng đất nước. ( viết từ 5-7 câu )

at least from the maximum print and design, but can not be so in itself. moreover, they admit that they are persecuted, do not challenge the poster, do not follow its developments and transformations, do not work on its association with the film, and its ability to be "an art."

the beginnings

accompanied by a poster film in the world, knowing that the arabs did not go out on this tradition, gradually transformed into an independent industry. the technical aspect of munthur has a primary objective: to promote the film by reducing the story and its most prominent representatives and employees, in a form or word or expression. the format adopted is limited to the priority of providing as much information as possible in as few images and words as possible.

there is no specific date for the birth of a poster in the world. there is the failure of jules chery (1836 - 1932), a lithographist and modernist, "the first artist to favor the invention of the art poster," or (as he describes it) the "popular teacher of the art of the poster," completing two works in 1890: short "art performances" and the second for the famous program of "the visual theater of the griffin museum", entitled "luminous silent representations". (1862-1942) was the first to sign a label on the production of the film "the gardener and the little elf boy" (1895) by louis lumière.

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no sweat final showdown set

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it is just sweet

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whatcu tryna say tho

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answer:

it's my brethren

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