His room was as black as pitch with the thick darkness, (for the shutters were close fastened, through fear of robbers,) and so !
knew that he could not see the opening of the door, and I kept
pushing it on steadily, steadily.
I had my head in, and was about to open the lantern, when my
thumb slipped upon the tin fastening, and the old man sprang up
in bed, crying out - "Who's there?"
I kept quite still and said nothing. For a whole hour I did not move
a muscle, and in the meantime I did not hear him lie down. He
was still sitting up in the bed listening; – just as I have done,
night after night, hearkening to the death watches in the wall.1

at least from the maximum print and design, but can not be so in itself. moreover, they admit that they are persecuted, do not challenge the poster, do not follow its developments and transformations, do not work on its association with the film, and its ability to be "an art."

the beginnings

accompanied by a poster film in the world, knowing that the arabs did not go out on this tradition, gradually transformed into an independent industry. the technical aspect of munthur has a primary objective: to promote the film by reducing the story and its most prominent representatives and employees, in a form or word or expression. the format adopted is limited to the priority of providing as much information as possible in as few images and words as possible.

there is no specific date for the birth of a poster in the world. there is the failure of jules chery (1836 - 1932), a lithographist and modernist, "the first artist to favor the invention of the art poster," or (as he describes it) the "popular teacher of the art of the poster," completing two works in 1890: short "art performances" and the second for the famous program of "the visual theater of the griffin museum", entitled "luminous silent representations". (1862-1942) was the first to sign a label on the production of the film "the gardener and the little elf boy" (1895) by louis lumière.

5670

explanation: