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What Baroque convention characterizes Rubens's Elevation of the Cross? A. The figures are rendered with dramatic foreshortening and appear to break into the viewer's space. B. The figures are organized in a symmetrical composition with a heavenly background. C. The figures are organized in a complex composition to create the illusion of depth. D. The forms and faces are rendered with flat, neutral color and appear bluer as they recede into space.

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