Describe the following terms:

dance, capoeira, oral tradition, roda, ginga, bateria, berimbau, mana, mele hula, mele oli, kahiko, ‘auana, bhangra, ritual, rite, spiritual-ness, religious-ness, liminal space, gospel, spirituals, call-and-response, islam, mevlevi order , sema (whirling dervishes), ggender, hijra, two-spirit, mahū, drag, kabuki, onnagata, drag queen/king, faux queen/king

Answers:

Dance - It is a physical representation of music;

Capoeira - Brazillian martial art mixed with dance style;

Oral tradition - When a tradition is transmitted by oral communication;

Roda - a term from capoeira that means "the ring".

Ginga - a term from capoeira for the swaying motion;

Bateria - musical group in the capoeira who dictates rhythm (a band);

Berimbau - a musical instrument (chordophone) of capoeira of Brazilian origin;

Mana - A Polynesian word for the concept of power;

Mele hula - A Hawaiian dance music;

Mele oli - A Hawaiian chant music;

Kahiko - A Hawaiian "Old style" dance music/chant.

'Auana - A Hawaiian "New style" of hula music;

Bhangra - A kind of dance tradition that comes from the Punjab region (India and Pakistan);

Ritual - It's a ceremonial act;

Rite - It's usually a religious ceremony or act;

Spiritual-ness - Internal understanding of sense of peace and purpose;

Religious-ness - An organized belief systems taught among a community;

Liminal space - Phase of a rite of passage/transitional period;

Gospel - Christian Music related to spirituals;

Spirituals - A type of musical expression of American South Christians;

Call-and-response - When, in a music, the singer "calls" with a chorus responding;

Islam - An abrahamic religion. Its holy scripture is the Koran;

Mevlevi order- An order within Islam that practice the Sema ceremony;

Sema (Whirling Dervishes) - Ceremonial rite in the Mevlevi order;

Gender - Interrelationship between physical body, internal identity, and outward expression of a person;

Hijra - A third gender in Indian continent;

Two-spirit - Was an Ojibwe term that is now a blanket term for LGBTQ+ Native Americans;

Mahū - Word used in Hawaiian society for a Gender between male and female;

Drag - A cross-dressed performance of a gendered character;

Kabuki - A Japanese form of theatrefrom the 1600s that often uses drag performers;

Onnagata - "Women's form" role in Kabuki (traditionally performed by men);

Drag queen/king -  When men portray women (queen), women portray men (king) in drag form.

Faux queen/king -  When men portray men (king), women portray women (queen).

elizabeth loftus conducted a study to observe the reliability of eyewitnesses during the 1970s. their baseline was to define how accurate are the recollections of eyewitnesses.

her studies do not support the use of eyewitness. loftus mentions in her work that we are not required to recall some experiences, meaning that rarely an individual eyewitness testimony is trustworthy. a good example is presented in her work, where all individuals watched a video and were than asked "about how fast were the cars going when they hit/smash? ". the testimonies changed based on the word she used to make the question (hit or smash), proving the fragility.

the correct answer is individualism and exchange. at this stage, children begin to question the rules, because they can see that there is more than one side to them. different individuals have different viewpoints. they won't be able to reach this stage because of ignorance, a lack of ethics or personal biases. that is because people with that characteristiscs are not able to distinguish what is good or what is bad and they can't pursue their individual interests.