How was dove’s campaign for real beauty a response to feminist critiques of the media’s messages to girls and women?

a. it rejected the critiques and was among the first to airbrush its models and create unattainable images of beauty.
b. it showed women in a variety of occupations, thus rejecting feminist arguments that women should aspire to only predominantly male positions.
c. it created unrealistic images of beauty in order to sell dove products.
d. it embraced those critiques and was among the first to feature women with cellulite and frizzy hair.