1. describe the differences in social practice among the nobility before and after the death of louis xiv. 2. compare works of painting, architecture, and interior design that highlight the distinctions between 17th and 18th century french visual culture and the lifestyle of privilege. 3. discuss the history of the term rococo, and suggest why its style, subject matter and symbols were found to be so appealing in the first half of the 18th century in france and elsewhere in europe. 4. finally, discuss the work of two artists who rejected the rococo style and subject matter.

Explanation:

In its reign, the Midi Canal was built, important for the development of France and Europe, uniting the Mediterranean and the Atlantic. The palace of the invalids (hotel del Invalides), served as a dwelling for military personnel who were wounded in combat, or old age, could no longer war. Instead of the exuberance of styles prior to Louis XVI, the victory of classical literary taste prevailed: composition, metric and certain greatness, affecting the influence of the Sun King. It was the era of literary diversity and harmony among great masters: Moliére, Racine, La Fountaine, Bossuet and even Fénelon. To cite the architecture and decoration of the Louvre, Versailles, Marly, Invalides, worked by Le vau, Mansart, Perrault (consecrated architects), Girardon and Coysevox (considered)

2. term rococo.

rock is an artistic term that arose in 1700, in France, through its subtlety, counteracting to the excesses of the Baroque, was present in architecture, painting, music and sculpture. It means Conha and this associated with decorative and ornamental forms, representation of the profane life of the aristocracy, depicts everyday life, human relations beyond being used in nature, pots plants, waterfalls. many refused to accept because they considered them profane or vulgar.

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