Why did the US think it would be a good idea to bomb Japan in the Doolittle Raid?

Doolittle Raid, (18 April 1942), a surprise attack on Tokyo, Japan, by U.S. bombers during World War II. Little damage resulted, but the raid was a boost to American morale at a low point in the war. The affront of the raid to Japanese national pride motivated Japan’s leaders to pursue offensive plans with fresh urgency.

After Japan’s attack on Pearl Harbor, President Roosevelt demanded that the U.S. military find a way of striking back directly at Japan. The only possible method was with carrier-borne aircraft, but standard naval planes had too short a range—carriers launching them would have to sail dangerously close to Japan’s well-defended coast. Instead a special unit of USAAF B-25 Mitchell bombers, far larger than naval aircraft, was trained under Colonel James Doolittle to take off from the carrier USS Hornet. They were to drop their bombs on Japan and then fly on to land in an area of China controlled by the pro-Allied Nationalists. Doolittle and his sixteen bombers took off successfully on 18 April—no mean feat for aircraft laden with bombs and fuel. Because the naval force had been spotted by the Japanese, the launch was made 650 miles (1,000 km) from Japan, instead of 400 miles (650 km) as originally intended. The bombers arrived over Japan in daylight but suffered little damage from enemy action. Almost all succeeded in bombing Japanese targets, most in Tokyo but also in Kobe, Yokosuka, and Osaka. After the attack, all the aircraft ran short on fuel. One diverted to land in Soviet Russia. The other fifteen headed for Nationalist China but had to abandon plans to land at airfields, instead crash-landing or bailing out. All the aircraft were lost but only three crew members were killed, while eight fell into the hands of the Japanese, who subjected them to torture and starvation.

Explanation:

wood carving remains today the primary sculptural art form of the sub saharan continent. african art history shows the earliest wooden sculptures from the 17th c are attributed to the kuba, central zaire but the earliest surviving sub-saharan sculpture is a zoomorphic head found in 1928 in central angola.

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