THE TRIUMPH OF DEATH, ANONYMOUS PAINTING FROM FIFTEENTH-CENTURY SICILY The figures in the foreground represent the clergy, nobility, and townspeople. Developments such as the one depicted in the painting most directly contributed to which of the following in Afro-Eurasia in the fourteenth and fifteenth centuries?
A. Creation of diasporic merchant communities
B. Peasant revolts against taxation and coercive labor systems
C. An increase of religious tolerance
D. An expansion of Mongol power
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THE TRIUMPH OF DEATH, ANONYMOUS PAINTING FROM FIFTEENTH-CENTURY SICILY The figures in the foreground...
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