Describe the contributions of Charles Sidney Gilpin as a performer during the Harlem Renaissance.

Charles Sidney Gilpin, a respected leading man from the all-black Lafayette Players of Harlem, was the first actor to play the role of Brutus Jones when it was first staged on November 1, 1920, by the Provincetown Players at the Playwright's Theater in New York City. This production was O'Neill's first real smash hit.

the exact role and status of women in the roman world, and indeed in most ancient societies, has often been obscured by the biases of both ancient male writers and 19-20th century ce male scholars, a situation only relatively recently redressed by modern scholarship which has sought to more objectively assess women's status, rights, duties, representation in the arts, and daily lives; and all this from almost exclusively male source material dealing with a male-dominated roman world.

women in mythology

unlike some other ancient cultures such as the greeks who had formed a creation myth where woman was a creature secondary to man and, more specifically, in the form of pandora, a bringer of unhappiness and vices, the romans had a more neutral approach where humanity, and not specifically the male, was created by the gods from earth and water. ovid's metamorphoses, for example, does not specify whether the first human was a man or a woman. at least in a physical sense then men and women were not regarded as belonging to a different species as in the greek world, a view often reiterated in roman medical treatises.

is there answer chooses?