In this excerpt from the life of charlotte brontë by elizabeth gaskell, what does the author mean by the sentence “the west riding men are sleuth-hounds in pursuit of money”? the west riding men are sleuth-hounds in pursuit of money. miss brontë related to my husband a curious instance illustrative of this eager desire for riches. a man that she knew, who was a small manufacturer, had engaged in many local speculations, which had always turned out well, and thereby rendered him a person of some wealth. the author personifies sleuth-hounds by comparing them to men of the west riding area. the author compares the men from west riding with animals, specifically hounds, by using hyperbole for comic effect. the author uses sarcasm to criticize the inability of men from west riding to find anything. the author uses a metaphor to compare the west riding men in their quest for money with hounds that pursue prey.

question: select the word from the list that best fits the definition tables and charts comparing the government from five different states.

answer: appendix

hope this , and have a great day. c;

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran