1. in poetry, as in prose, you should avoid just "telling" and focus on "showing" your audience what you want them to know. true or false2. there are different poetic structures to choose from depending on the emotions or ides you want to convey. true or false3. poets should always adhere to firm rules when writing poetry. true or false4. poems can be written from any point of view (first, second, or third person viewpoints).true or false5. the central image and symbols of a poem are two things to focus on as you look for meaning. true or false

gandhi's the story of my experiments with truth puts us in the first person. this allows us to really understand the characters and feel like we are living within the story. if it was in third person we may have felt as if we were just watching the story unfold. since it is in first person it allows us the opportunity to feel as if we really are a part of the story.

11-32. the main character in the parable, the forgiving father, whose character remains constant throughout the story, is a picture of god. in telling the story, jesus identifies himself with god in his loving attitude to the lost. the younger son symbolizes the lost (the tax collectors and sinners of that day, luke 15: 1), and the elder brother represents the self-righteous (the pharisees and teachers of the law of that day, luke 15: 2). the major theme of this parable seems not to be so much the conversion of the sinner, as in the previous two parables of luke 15, but rather the restoration of a believer into fellowship with the father. in the first two parables, the owner went out to look for what was lost (luke 15: 1-10), whereas in this story the father waits and watches eagerly for his son's return. we see a progression through the three parables from the relationship of one in a hundred (luke 15: 1-7), to one in ten (luke 15: 8-10), to one in one (luke 15: 11-32), demonstrating god’s love for each individual and his personal attentiveness towards all humanity. we see in this story the graciousness of the father overshadowing the sinfulness of the son, as it is the memory of the father’s goodness that brings the prodigal son to repentance (romans 2: 4).