Rita into the cellar.*
descended
rescinded
ascended
intended

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.

State ways of resolving conflictthe oau- list cau founder members- list obrejectives of oau.- list achievements of oao.-list problems facing oau.- list functions of adu.homework englishcompostosdl had just taken a heavy lunch an.was taking a nap in a shade-lualone lest to take care of our home i waawaken by a touch on my face andshockingly. -

Then, from heaven, the voice of the god called to gilgamesh: "hurry, attack, attack humbaba while the time is right, before he enters the depths of the forest, before he can hide there and wrap himself in his seven auras with their paralyzing glare. he is wearing just one now. attack him! now! " –gilgamesh: a new english translation, stephen mitchell identify a feature of epic poetry in the passage. in three to four sentences, explain its impact on the epic's plot.