WHAT KIND OF HOOK THIS THIS WILL MARK BRAINLIEST Should we let people get away with the offense of harming others? If you don't want that to occur then there should be real-world consequences for what someone posts on social media. This is because if someone posts about engaging in a crime they should be disciplined for endeavoring or planning a said crime. Another reason this needs to happen is that if someone were to use social media to cyberbully somebody there should be outcomes for the hazard they put that person in.

To avoid plagiarizing someone else’s work, you should do all of the following, except: a. carefully note all of your sources b. include your citation of your sources in your speech c. paraphrase the quotation (say it in your own words) without citing the source d. make it clear that the information did not come from your own brain

Read the selection below and answer the question. an open boat by alfred noyes o, what is that whimpering there in the darkness? 

 'let him lie in my arms. he is breathing, i know.
 look. i'll wrap all my hair round his neck' – the sea's rising,
 the boat must be lightened. he's dead. he must go.' 


 see - quick - by that flash, where the bitter foam tosses, 
 the cloud of white faces, in the black open boat, 
 and the wild pleading woman that clasps her dead lover 
 and wraps her loose hair round his breast and his throat.
 'come, lady, he's dead.' - 'no, i feel his heart beating,
 he's living, i know. but he's numbed with the cold. 
 see, i'm wrapping my hair all around him to warm him.' -
- 'no. we can't keep the dead, dear. come, loosen your hold.

 'come. loosen your fingers.' - 'o god, let me keep him! ' -
 o, hide it, black night! let the winds have their way! 
 and there are no voices or ghosts from that darkness, 
 to fret the bare seas at the breaking of day. which choice best describes the conflict in this poem? the winds are rocking the boat. a man is thrown into the sea. a woman doesn’t want to let go of her dead lover. someone is crying in the darkness.

Which literary approach focuses primarily on the dynamics of power in a text?