OF MICE AND MEN One of the novel’s many motifs, marginalization, are fully developed in this chapter. Marginalization can often occur in many different ways. All of the characters left behind in chapter 4 experience some form of discrimination.

Directions: In a 1-2 paragraph response, briefly summarize the events from chapter 4 and then select two characters that experience discrimination. Explain the marginalization that these two characters face and provide textual evidence.

*Please edit your writing for grammar, spelling, and punctuation. This is worth a project grade, is due Wednesday, 1/12/22, at 11:59 pm, and is a total of 70 points.
**Please see the checklist below for how you will be graded.
***No personal pronouns allowed!!! (-10 pts.)

Required Response Elements: (70 points, project grade)
Topic Sentence: What is this paragraph about (genre, title, author) (5pts)
Summary: Keep the summary brief and concise. Write the most important events that happened. This should be 3-5 sentences. An effective summary does not include any opinion. (10 pts)
First character: The first character that experiences marginalization. (5 pts)
Cite textual evidence: Provide a quote that shows the discrimination and cite it in MLA format. A quote cannot stand alone as a sentence. It should be introduced. (10 pts)
Explain: how this quote supports your point. (10 pts)
Repeat #3-5 with your second character (25 pts)
Concluding statement: Provide final thoughts regarding marginalization and wrap up your paragraphs.(5 pts)

what is your question because all i see is "i'll give 25p. and give brainliest.

jaxsonmennessey27

jaxsonmennessey27

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran