Read the excerpts from "A Retrieved Reformation" by O. Henry. Identify each excerpt as supporting one of these themes: "people can change for the better" or "people are not able to change themselves.""Brace up, and make a man ofyourself. You're not a badfellow at heart. Stop crackingsafes, and live straight.""That's Dandy Jim Valentine'sautograph. He's resumed business."Jimmy Valentine looked intoher eyes, forgot what he was, and became another man."It's the only life, Billy—thestraight one. I wouldn't toucha dollar of another man's moneynow for a million.""Going to marry the banker'sdaughter are you, Jimmy?"said Ben to himself, softly."Well, I don't know!""Guess you're mistaken, Mr. Spencer," he said. "Don'tbelieve I recognize you. Yourbuggy's waiting for you, ain't it?"

the correct answer is a. how to make proposal that works.

indeed, the register is quite formal and the tone is especially objective as it avoids the use of the first and second person singular (i, you) and opts instead for the third person plural which is more impersonal and focuses on the data and the argument that is being developed by the author. the formality adds the impression of respectability to the work and the impersonality adds objectivity to it.

for this, you need to remember something significant in your own life, for example, if you were bullied when you were younger, you can mention your memories on this and touch on how such treatment can harm other kids your age either physically or mentally. (racism, car crashes, a parent in the hospital are all very good subjects, think hard on it! )

hope i ! : )

it will show up when more than one person gives an answer

the correct answer is d. a discussion of specific uses of alliteration

.

when you are critiquing or evaluating a poem, you will mostly pay attention to the theme, as well as figures of speech and rhythm. alliteration is a figure of speech where consonants are repeated in neighboring words - and it is important for analysis of sound and rhythm, which is why it might appear in the evaluation of that poem.