Select one of the early Renaissance paintings specified below and compare and contrast its depiction of human emotion in response to suffering with that in the text of Boccaccio's "Tenth Day: Tenth Story" (click to review Part I and
Part II of the literature). Your response should assert a specific argument about the portrayal of human emotion in
response to suffering in each work. You must reference specific details in the literature as well as the painting to
support your argument.
Conduct research to locate images of the following paintings:
Giotto's "Lamentation"
• Bosch's "Triptych of The Temptation of St. Anthony"
Your response should be at least 750 words in length, with all sources (including the artwork) properly cited. Click here
to view a rubric for this project.

the time most likely will repeat, in the story.

excuse me but there is no picture or question showed in this problem.

the answer is 2 : ) hope it

when connie willis was 12 years old, her mother died. in january of 2003, willis was interviewed for locus magazine. she recognized that death is a major issue in her writing, specially because the vacuous and appalling things that people tend to say in order to support you when someone you loved dies. what really saved willis was reading. books, literature, are not false. poetry tells the truth (as dickinson said: "tell al the truth but tell it slant"). it's not a escape from reality, but a nigromantic experience where whe can talk to people that exist no more. that's the definition that connie willis gives in her novel "passage": «(literature) it's the people who went before us, tapping out messages from the past, from beyond the grave, trying to tell us about life and death! ». enrique vila-matas has figured out the esence of literary experience when he said in a lecture that he intends to have his revenge against life (and death), because to write (and to read) is a form of living and a way to remember. i like in that sense the idea of not leting anything human to get lost. i feel fiction and poetry as the shapes of an ancient anger. like in the poem from dylan thomas: «do not go gentle into that good night / rage, rage against the dying of the light».

but there is another aspect that i have learned from connie willis's quote. in his famous work "danubio", the italian writer claudio magris describes literature as house removals. some messages reach us, other messages get lost in the labyrinth. those messages which are our inheritance teach us how to live and how to die, how to love and how to hate, how to laugh and how to cry. i think that tales really shape us if we listen to them. maybe through the stories we read we learn how to emphatize with others, knowing that the bells tolls for every each of us.