The year is 2186. In an effort to eliminate discrimination and competition, humans have been genetically
engineered to begin life as clones. The single global
government provides the same education and health care
to all citizens. Every home is exactly the same, everyone
receives the same salary, and every family is the same
size. Outliers are "removed" from society in order to ensure
uniformity
How would the author best resolve this situation to create a feeling of
despair?
O A. Scientists find that they can alter the genetics of clones to make
them more compliant.
O B. The narrator finds that a pocket of outliers are living secretly
outside the detection of government.
C. A character who attempts to enlighten others as to society's
problems is "removed" by the government.
O D. The government decides to cut everyone's wages to a lower but
equal amount

Read this excerpt from holes. he had no sailing experience, but the ship’s captain signed him aboard. the captain could see that elya was a man of great strength. not everybody could carry a full-grown pig up the side of a mountain. it wasn’t until the ship had cleared the harbor and was heading out across the atlantic that he suddenly remembered his promise to carry madame zeroni up the mountain. he felt terrible. what information does this flashback provide about elya? a.elya did not intend to break his promise to madame zeroni. b.madame zeroni is very angry and disappointed in elya. c.elya is terribly afraid of madame zeroni’s curse. d.elya does not care what happened to madame zeroni.

Which statement best explains how the setting affects the meaning of the story? a. the water and wave motif conveys the queasy feeling the narrator has when walking alone at night. b. the firefly light conveys a feeling of nostalgia for long summer evenings spent with family. c. the phrase whispering and murmurs" suggests that the main character has fits of madness. d. the comparison of the street to a graveyard suggests that something is terribly wrong with society.

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.