Revise and edit the paragraph. Ensure that it uses correct pronoun-antecedent agreement. When Steinbeck shifts the setting to the moving car though, we learn different things about Elisa. For example, when the car passes the stranger's team of livestock, Elisa makes an important gesture by turning away from them, showing her internal struggle. The road setting also reveals Elisa's vulnerable side. One of the story's final paragraphs depicts Elisa huddled in her coat and crying as the car continues to speed along. Without this new setting, Elisa might never have learned the true intentions of the stranger. Each of the details of the setting that Steinbeck focuses on reveals Elisa's vulnerability in their own way.

Read the excerpt from "the most dangerous game." a man, who had been hiding in the curtains of the bed, was standing there. "rainsford! " screamed the general. "how in god's name did you get here? " "swam," said rainsford. "i found it quicker than walking through the jungle." the general sucked in his breath and smiled. "i congratulate you," he said. "you have won the game." rainsford did not smile. "i am still a beast at bay," he said, in a low, hoarse voice. "get ready, general zaroff." the general made one of his deepest bows. "i see," he said. "splendid! one of us is to furnish a repast for the hounds. the other will sleep in this very excellent bed. on guard, rainsford." . . he had never slept in a better bed, rainsford decided. adrian is writing an essay about "the most dangerous game.” which detail from the excerpt best supports his idea that rainsford is unchanged and still feels that the hunter is justified in killing the hunted? a man, who had been hiding in the curtains of the bed, was standing there. "swam," said rainsford. "i found it quicker than walking through the jungle." rainsford did not smile. "i am still a beast at bay," he said, in a low, hoarse voice. "get ready, general zaroff." he had never slept in a better bed, rainsford decided.