At the first performance of Edward Elgar's "Enigma Variations," the critics praised it as a masterpiece of form and orchestration A. but were irritated that Elgar did not reveal the "enigma." B. but had to leave early and so were not able to hear the whole piece. C. but wanted to hear it again just to be sure.​
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Conclusions made on the basis of unstated or stated evidence are called .
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At the first performance of Edward Elgar's "Enigma Variations," the critics praised it as a masterpi...
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