Please help me. This is for a test that I NEED a good grade on. What can you infer about the narrator, a horse named Black Beauty, in this excerpt from Anna Sewell’s Black Beauty?

I was quite happy in my new place, and if there was one thing that I missed it must not be thought I was discontented; all who had to do with me were good and I had a light airy stable and the best of food. What more could I want? Why, liberty! For three years and a half of my life I had had all the liberty I could wish for; but now, week after week, month after month, and no doubt year after year, I must stand up in a stable night and day except when I am wanted, and then I must be just as steady and quiet as any old horse who has worked twenty years. Straps here and straps there, a bit in my mouth, and blinkers over my eyes.

A. Black Beauty desires to live a life of freedom.
B. Black Beauty cannot cope with her workload.
C. Black Beauty hates her new surroundings.
D. Black Beauty likes resting in her stable all day.
E. Black Beauty wants to live a more meaningful life.

type of error:

the error in the sentence is a "dangling modifier". a dangling modifier is a phrase, word or clause that "dangles" because there is not target to modify. in this case, "after mopping the floor" is the dangling modifier since it has no word to modify. the noun "house" cannot mop the floor; therefore there is a mistake in the writing of the sentence.

nambe vazhkaile elam nala irukum

i believe it may be the hope this sorry if i'm wrong.

there are several different forms of presenting this; each has a very specific format. plays have a very simple format; teleplays, for television shows, or screenplays, for movies, have more complex and strict rules for formatting.

drama

the first of these to be written for the express purpose of being performed were created by the greeks. many of our modern terms derive from greek origins.

comedy

in the greek sense, a play that doesn't end in death. in modern usage, refers to a play that is humorous.

tragedy

in the greek sense, a play that ends with the death of at least one of the main characters. in modern usage, refers to a play that doesn't have a happy ending.