Help me pls DIRECTIONS. After reading the text, you are now ready to digest what you have
discovered Discuss the causes of the characters' actions or dialogues based on your
understanding and come up with a positive disposition which you should undertake so as to
establish a good relationship among the members of your family.

Characters' Actions/dialogues

1.BIFF: He had the wrong dreams. All, all, wrong.

2.HAPPY: All right, boy. I'm gonna show you and
everybody else that Willy Loman did

3.CHARLEY: No man needs only a little salary.

4.LINDA. Forgive me, dear. I can't cry. I don't
know what it is, but I can't cry.

Causes
1.
2.
3.
4.
Positive Disposition To be Undertaken.
1.
2.
3.
4.​​​

government played the key role in promoting industrialization in russia while individual businesses played a larger role in great britain. or for apex a

the economic activity signified in that scenario is a. production

in general, market production makes reference to the elaboration of a product or service which is destinated for economic purposes (to be sold) at money-price in a market. such product or service has to be principally tradable for money.

there is no money exchange involved in distribution, generalized reciprocity or balanced reciprocity.

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran