“autumn gilt” by valerie bloom the late september sunshine lime green on the linden leaves burns bronze on the slated roof-tops, yellow on the farmer’s last sheaves. it flares flame-like on the fire hydrant, is ebony on the blackbird’s wing, blue beryl on the face of the ocean, glints gold on the bride’s wedding ring. a sparkling rainbow on the stained-glass window, it’s a silver sheen on the kitchen sink, the late september sunshine is a chameleon, i think. source: bloom, valerie. “autumn gilt.” let me touch the sky. new york: macmillan children’s books, 2000. the poetry archive. web. 7 june 2011. analyze the use of figurative and literal language, poetic techniques, and sound devices in this poem. refer to specific lines in your answer.

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answer ir: bush stirs up emotions of brotherhood and freedom to inspire americans.

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in this passage from chapter 6 of "animal farm", by george orwell, what the author is ridiculing in this passage is the frivolity of some rules.

clover, the mare, believes she remembers that the fourth commandment forbade sleeping in beds because it was something that humans did. snowball, napoleon, and the pigs are brain-workers who look after the welfare of the farm. they are the obvious leaders because they are smart, and so they are entitled to eat the best food and sleep in beds. it is squealer, who says these lines making the difference between sleeping with sheets, what humans do, and sleeping in beds, what pigs do. the unwillingness to question authority makes the oppressed to obey without thinking.