Read the excerpt from act iii, scene i of romeo and juliet.

benvolio: i pray thee, good mercutio, let’s retire:
the day is hot, the capulets abroad,
and, if we meet, we shall not ’scape a brawl;
for now, these hot days, is the mad blood stirring.

mercutio: thou art like one of those fellows that when he enters the confines of a tavern claps me his sword upon the table and says, ‘god send me no need of thee! ’ and by the operation of the second cup draws him on the drawer, when, indeed, there is no need.

benvolio: am i like such a fellow?

mercutio: come, come, thou art as hot a jack in thy mood as any in italy; and as soon moved to be moody, and as soon moody to be moved.

which detail from the excerpt most foreshadows that benvolio and mercutio will fight the capulets?

benvolio’s observation that it is hot outside
mercutio’s comment that benvolio is moody
benvolio’s urgent request that they go home
mercutio’s story about the man in the tavern

Benvolio’s observation that it is hot outside

Benvolio's intial statement "The day is hot" is not the piece that specifically foreshadows the fight. Rather, it is his whole description. A paraphrase of this section is: It's hot and the Capulets are somewhere. If we see them I don't think we can keep from fighting. The heat makes everyone angry and on edge. This foreshadows that if the Montagues and Capulets run into each other they are going to fight because the heat is creating tension and anger. Many of the options hint towards some form of aggression as Mercutio is feeling the anger created by the heat, however this option best foreshadows the brawl between the families.

the meaning of this is shes not letting it happen while shes there

hi there!

one thousand and one nights, also called the arabian nights is a collection of middle eastern tales compiled in arabic during the islamic golden age, dated from the 8th to the 14th century. this collection was compiled of largely middle eastern and indian stories with an uncertain date and autorship whose tales such as aladdin, ali baba and sinbad the sailor -these ones were the most popular ones, the ones that have almost become part of western folklore.

as in much medieval european literature, the stories contained in this collection are set within a frame story. its scene is central asia, as known as "the islands or peninsulae of india and china", where king shahryar kills his wife after discovering her infidelities and as well as any other who betrayed him.   then, loathing all womankind, he marries and kills his new wife each day until no more candidates could have been found. his vizier had two daughters, scheherezade and dunyazad. the elder one -scheherezade- having devised a scheme to save herself and the others insisted that her father needed to give her in marriage to the king. each evening, she used to tell a story leaving it incomplete and promising to finish it the following night. the stories kept the king very interested, so eager to hear evey ending of each story, that he puts off her execution from day to day and finally he decided to give up with his plan. these stories are contained within the collection of 1001 nights, the bulk of the text is in prose, although verse is usually used for songs and riddles to express better the heightened emotion of them.