Consider a few ways that the novel uses nature to connect victor and the monster. choose at least two instances and evaluate how effective this method is in connecting the characters.

Nature is rampant in the narrative of Mary Shelley's novel Frankenstein. It is, literally, everywhere. However, from the many conclusions that we can reach as to the need for it in the story, we can certainly agree that nature serves a protective, nurturing, and curative role in the life of Victor. This may be because after all, Victor has to reject humanity. He violated humanity by trying to act like God. Instead, he creates a monster. Moreover, he has also tampered with nature in such a way that, now, he has to go back to it, perhaps to redeem himself.

Victor has to reject humanity and favor something else to make his life make sense. He cannot count on people to bring him happiness, peace, or company because he knows that everyone around him is in danger of the monster. Victor's search for nature is basically an admittance that what he has done no longer allows him to be considered one with humanity any longer. We could argue that, what Victor does in creating the monster is so abhorrent, that his want to be almost godlike has taken away his humanity altogether. Therefore, in order to keep his sanity he must resort to nature, the world's playground, to try and find himself again.

It is nature, and not the help of his friends or family, that keeps Victor from, literally, going insane. First, we find him looking for solace in nature after his brother, William, is killed by the beast and, by default, the kid's poor governess, Justine,  is acused and executed for the murder, unfairly. This is one of those instances where Victor will start breaking down, and he will look to nature for his cure.

I remained two days at Lausanne, in this painful state of mind. I contemplated the lake: the waters were placid; all around was calm, and the snowy mountains, [...]. By degrees the calm and heavenly scene restored me [...].

Victor's mentality is so challenged by his actions, that not even Elizabeth, or his father, or Henry Clerval, can help him get better. Only nature seems to be able to do the trick

Observe [...] how the clouds which sometimes obscure, and sometimes rise above the dome of Mont Blanc, render this scene of beauty still more interesting. Look also at the innumerable fish that are swimming in the clear waters, where we can distinguish every pebble that lies at the bottom. [...] How happy and serene all nature appears

In another example, we find a similar situation after the monster kills Elizabeth, and Victor is led to near madness. It is nature that he invokes to reach a less insane place in his heart:

What became of me? I know not; I lost sensation, and chains and darkness were the only objects that pressed upon me. Sometimes, indeed, I dreamt that I wandered in flowery meadows and pleasant vales with the friends of my youth.

Therefore, what this leads us to conclude is that Victor has lost his "spot" in the human race by trying to act like a god, giving life to inanimate matter. Moreover, in doing this, he has also tampered and disrespected nature. As a result of his experiment, he loses touch with the rest of the world, as everyone around him is in danger of the monster. Hence, the only thing Victor can really do is find himself in nature, which has been kind to him enough to heal him, and keep him sane. This may be a way for him to make peace with nature one more time, as if trying to redeem himself with it again.

In Frankenstein Mary Shelley often compares and contrasts Victor and the creature.

Mary Shelley uses birth and labor imagery to suggest that Victor gave birth to the creature. For example, Victor goes into confinement for nine months to create the monster. Victor and his monster child are alike in some ways and different in others.

One of the major traits shared by Victor and his monster is their love of nature. Both Victor and his creature express their joy in nature.

The creature expresses his joy when spring arrives: "Spring advanced rapidly; the weather became fine, and the skies cloudless. It surprised me that what before was desert and gloomy should now bloom with the most beautiful flowers and verdure. My senses were gratified and refreshed by a thousand scents of delight, and a thousand sights of beauty."

Frankenstein expresses similar emotions: "When happy, inanimate nature had the power of bestowing on me the most delightful sensations. A serene sky and verdant fields filled me with ecstasy. The present season was indeed divine; the flowers of spring bloomed in the hedges, while those of summer were already in bud."

Both Frankenstein and the creature have the ability to forget sorrows and disappointments when they are in nature. After he is cruelly rejected by the De Lacey family, the monster is miserable. But he regains his hope when he feels the warmth of the sun: "The pleasant sunshine, and the pure air of day, restored me to some degree of tranquility; and when I considered what had passed at the cottage, I could not help believing that I had been too hasty in my conclusions."

In a similar way, nature allows Frankenstein to forget the guilt and horror that has haunted him since the creature’s creation. Victor tells Walton, “I perceived that the fallen leaves had disappeared, and that the young buds were shooting forth from the trees that shaded my window. It was a divine spring; and the season contributed greatly to my convalescence. I felt also sentiments of joy and affection revive in my bosom; my gloom disappeared.”