Instructions: select the correct text in the passage.
obedience and control is a recurring theme of henrik ibsen’s a doll’s house. which line in this excerpt from act 1 of the play reflect this theme?
helmer: nora, nora, and you would be a party to that sort of thing? to have any talk with a man like that, and give him any sort of promise? and to tell me a lie into the bargain?

nora. a lie—?

helmer: didn't you tell me no one had been here? (shakes his finger at her) my little songbird must never do that again. a songbird must have a clean beak to chirp with--no false notes! (puts his arm round her waist) that is so, isn't it? yes, i am sure it is. (lets her go) we will say no more about it. (sits down by the stove) how warm and snug it is here! (turns over his papers.)

nora (after a short pause, during which she busies herself with the christmas tree): torvald!

helmer: yes.

nora: i am looking forward tremendously to the fancy-dress ball at the stenborgs' the day after tomorrow.

helmer: and i am tremendously curious to see what you are going to surprise me with.

What is the metaphor used for captain beatty? what is he being compared to?

*ill give best answer brainliest*read the excerpt below and answer the question. we did not know, as yet, which was the better side, right or left, which road led to prison and which to the crematoria. still, i was happy, i was near my father. our procession continued slowly to move forward. another inmate came over to us: “satisfied? ” “yes,” someone answered. “poor devils, you are heading for the crematorium.” he seemed to be telling the truth. not far from us, flames, huge flames, were rising from a ditch. something was being burned there. a truck drew close and unloaded its hold: small children. babies! yes, i did see this, with my own eyes . . children thrown into the flames. (is it any wonder that ever since then, sleep tends to elude me? ) so that was where we were going. a little farther on, there was another, larger pit for adults. what is the conflict portrayed in this excerpt from elie wiesel’s night? select all that apply. the external conflict between the nazis and the jews the external conflict between the nazis and the allies the external conflict between wiesel and the inmate the internal conflict between wiesel’s memory of the burning bodies and his desire for peaceful sleep

Which of the following did shakespeare change in his version of romeo and juliet? he increased emphasis on the capulet-montague conflict. he made romeo and mercutio’s relationship more complicated. he made the franciscan friars more evil. he gave tybalt a smaller role.