What should i change in this poem?
it's called missing identity
when i see my true loves face
i always think i'm hallucinating
i smiled and i waved but he doesn't even look my way
i said hi.
but he acted like i wasn't even there!
when i went home in despair
i looked at my self in the mirror.
i saw half of my face
but the other half was blurry and then disappeared
i looked away
i couldn't bear the fact
i looked in the mirror
but i still saw only half of my face
i don't know who i am
i don't know who i am
do you i have an identity
what do i have to live for?
who am i
who am i to even look at such a beautiful face like his?
who am i to even talk to him?
i have to find my missing identity.
i need to find who i am.
i me to find out why i'm living
i need to find my fate
what is my identity?
can you me find it?
i need to get the other half of my soul.
what is my identity?
what is my fate?
who will be my destined love
that will love me forever.

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects