We had beached the boat and stepped out on the recently cleared spit of land. the ground had a light dusting of white sand over an under layer of dried black mud. it looked like a recently frosted chocolate cake, though the frosting was spread a bit thin for my taste. the ground was solid, but we knew from experience that it was full of fiddler crab holes, and would be underwater at the first super-high tide. mysteriously, to us anyway, someone wanted to build a house there.

read this line from the text:

it looked like a recently frosted chocolate cake, though the frosting was spread a bit thin for my taste.

what does this line suggest about the narrator?

the narrator likes lots of frosting.

the narrator thinks about different kinds of soil.

the narrator prefers sand to mud.

the narrator has been thinking a lot about food.

Need asap ! use the drop-down menus to identify the type of error in each sentence or mark the sentence correct as written. 1. one psychological effect of constantly seeking revenge is always feeling that life is unfair. 2. if you do not seek revenge, people will take advantage of you. 3. you can allow yourself to feel angry at first, you should forgive as soon as you can. 4. sammy didn’t try to even the score, so luke knew that he would take advantage of him again. options for all for: - ambiguous pronoun - comma splice - spelling error - correct as written

What point of view is expressed by judith sargent murray in her essay "on the equality of the sexes"?

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.