P3 Sketcn
By Carl Sandburg
The shadows of the ships
Rock on the crest
In the low blue lustre
Of the tardy and the soft in rolling tide.
A long brown bar at the dip of the sky
Puts an arm of sand in the span of salt.
The lucid and endless wrinkles
Draw in, lapse and withdraw.
Wavelets crumble and white spent bubbles
Wash on the floor of the beach
Rocking on the crest
In the low blue lustre
Are the shadows of the ships,

From his studies of coptic, champollion knew that the egyptian word for "sun" was pronounced rah. he wrote down the first two letters of that sound, ra. next he put a question mark for the unknown middle hieroglyph. then, at the end, he wrote ss, the sound of the last two hieroglyphs. he studied the combination: ra ? ss. suddenly he remembered a famous pharaoh whose name appeared in ancient greek chronicles and also in the biblical book of exodus: rameses, or ramesses. could this be a hieroglyphic representation of ramesses' name? based on the excerpt, what detail did champollion need to conclude that the hieroglyphics might represent ramesses’s name?

Tap out the stresses as you read line 9. which analysis best describes the rhythm and its effect on meaning

The tone of a story is the author's attitude toward the subject. provide two examples that support the conclusion that the tone of this story is ironic.