Night, Chapter 1 Questions " 1. The text states they had spent the day without food, but were not really hungry. Why do you think they were not hungry? 2. Why do you think the family didn't go with the maid Maria to the safe shelter? 3. What explains their continued optimism in the face of future suffering and death? 4. What is suggested by the fact that the Hungarian police checked the bars of the cattle cars to make sure they did not come lose? ​

Which is the best summary of emerson’s view of solitude expressed in society and solitude? spending time in solitude is preferable to spending time in society, and it is ultimately more beneficial. though solitude is not necessarily valuable in and of itself, it is important to recognize its significance within a larger community. solitude can be beneficial in that it allows the mind to contemplate necessary and difficult questions. only through spending time in solitude and in deep observation of the natural world can one find happiness within society.

Which statement is not true about prewriting? prewriting you gather the details you'll include. prewriting you correct all of the errors you'll make. prewriting you consider the topic you'll address. prewriting you identify the main idea you'll convey.

In this excerpt from "quality" by john galsworthy, which two parts clearly indicate the literary point of view of the essay? that tenement had a certain quiet distinction; there was no sign upon its face that he made for any of the royal family—merely his own german name of gessler brothers; and in the window a few pairs of boots. i remember that it always troubled me to account for those unvarying boots in the window, for he made only what was ordered, reaching nothing down, and it seemed so inconceivable that what he made could ever have failed to fit. had he bought them to put there? that, too, seemed inconceivable. he would never have tolerated in his house leather on which he had not worked himself. besides, they were too beautiful—the pair of pumps, so inexpressibly slim, the patent leathers with cloth tops, making water come into one's mouth, the tall brown riding boots with marvellous sooty glow, as if, though new, they had been worn a hundred years. those pairs could only have been made by one who saw before him the soul of boot—so truly were they prototypes incarnating the very spirit of all foot-gear. these thoughts, of course, came to me later, though even when i was promoted to him, at the age of perhaps fourteen, some inkling haunted me of the dignity of himself and brother. for to make boots—such boots as he made—seemed to me then, and still seems to me, mysterious and wonderful.