Find the fallacy and choose the best 1. If we let the government control prices for healthcare, pretty soon they will want to control how much other businesses charge for services. Next thing you know, we will be a Communist society!

Group of answer choices

slippery slope

appeals to emotions

hasty generalization

either-or (or false dilemma)

2. You need to get the new iphone 8! Everyone, including me, has one!

Group of answer choices

appeal to popularity (ad populum)

begging the question

equivocation

glittering generality

3. He doesn't know anything about finances. He's just an uneducated plumber!

Group of answer choices

ad hominem

hasty generalization

begging the question

explaining by naming

4. "Officer, please don't take my husband to jail! He is the only one working right now, and if you lock him up my kids and I will end up on the street!

Group of answer choices

appeal to emotions

straw person

wishful thinking

ad hominem

the

someone plx on this 2question

"valley of salt tears" and "dark, deep and foggy" are two images used to establish a mood of uncertainty and regret. this imagery is made up of sensory appeals to brings up   theological concerns of sin and retribution.

they conjure up the human   uncertainty about the divine and its relationship to the world.

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran