In gilgamesh: a new english version, gilgamesh repeatedly has dreams and says, "enkidu, dear friend, i have had a dream."
what effect does this repetition have?
it creates a main idea that the audience can understand, and it establishes gilgamesh as the main character.
it creates a rhythmic pattern that the audience can follow, and it signals that the audience will hear a new dream.
it creates a new structure that the audience needs to hear, and it shows how long gilgamesh’s journey has been.
it creates a vivid image that the audience can see, and it establishes a more realistic way of storytelling.

Which line in this excerpt from the great gatsby by f. scott fitzgerald contains a simile? about half way between west egg and new york the motor-road hastily joins the railroad and runs beside it for a quarter of a mile, so as to shrink away from a certain desolate area of land. this is a valley of ashes—a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens where ashes take the forms of houses and chimneys and rising smoke and finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air. occasionally a line of grey cars crawls along an invisible track, gives out a ghastly creak and comes to rest, and immediately the ash-grey men swarm up with leaden spades and stir up an impenetrable cloud which screens their obscure operations from your sight.

Which of the following did shakespeare change in his version of romeo and juliet? he increased emphasis on the capulet-montague conflict. he made romeo and mercutio’s relationship more complicated. he made the franciscan friars more evil. he gave tybalt a smaller role.

The moutain stood shoulder to shoulder and glared down at the pasture below, daring anyone to approach. what is the most likely the intent of the author's word choice in this sentence?