Read the excerpt from Act 2 of The Monsters Are Due on Maple Street. As they shout, accuse, scream, interspersing with cuts of TILT SHOTS OF HOUSES as the lights go on and off and then slowly in the middle of this nightmarish morass of sight and sound the CAMERA STARTS TO PULL AWAY until once again we've reached the opening shot looking at the Maple Street sign from high above. THE CAMERA CONTINUES TO MOVE AWAY. . . . If changed, which detail would change this from science fiction to fantasy fiction? lights going on and off in the houses as a result of electrical outages lights going on and off in the houses as a result of supernatural events people screaming and panicking because they glimpse a space shuttle people screaming and panicking because aliens begin attacking them

Fill in the table with definitions of the literary techniques and concepts that occur in beowulf.

Why did orson welles change the beginning of the war of the worlds for his radio broadcast? a. to capture the attention of his listeners, who may have been doing other things b. to get around copyright laws associated with using material from a published book c. to ask members of the audience to call family and friends and encourage them to listen d. to remind listeners to call police for more information

Hurry i am on the semester test which theme is evident in this excerpt from robert frost's "mending wall"? but at spring mending-time we find them there. i let my neighbor know beyond the hill; and on a day we meet to walk the line and set the wall between us once again. we keep the wall between us as we go. to each the boulders that have fallen to each. and some are loaves and some so nearly balls we have to use a spell to make them balance: "stay where you are until our backs are turned! " we wear our fingers rough with handling them. oh, just another kind of out-door game, one on a side. it comes to little more: there where it is we do not need the wall: he is all pine and i am apple orchard. my apple trees will never get across and eat the cones under his pines, i tell him. he only says, “good fences make good neighbors." spring is the mischief in me, and i wonder if i could put a notion in his head: "why do they make good neighbors? isn't it where there are cows? but here there are no cows. before i built a wall i'd ask to know what i was walling in or walling out, and to whom i was like to give offence. . " a. the human desire for material gain b. the influence of financial constraints c. the positive effects of friendship d. the uncertain nature of human relations e. the futility of human yearning