“Even now I often achieve the unconscious Zora of Eatonville before the Hegira” Why is the transformation of Zora into little Colored girl compared to pilgrimage?

What figurative language is being used and why?

this is an ad? the hell is your audience bro xd

explanation:

question

will give

you will find groups such as germans, acadians, irish/scots, french, spanish, anglo/americans, african americans, and native americans. you are looking for the contributions that each of these groups provided to the settlement of louisiana.

the book's theme is the moral ambiguity of the iranian revolution, history of middle eastern relations and the process of growing up during war. it sheds light on the stereotypical views of middle eastern culture and religion.

the author explicitly portrays the issues of class disparities and racism continously throught the whole novel.

the relationship between parents and childrens, the abandonment of faith, modernity vs fundamentalism and class conflict are the 4 main panels that this novel englobes.

hope this , if you would like me to be more specific about a specific excerpt let me know : )

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran