Select one of the early Renaissance paintings specified below and compare and contrast its depiction of human emotion in response to suffering with that in the text of Boccaccio's "Tenth Day: Tenth Story" (click to review Part I and Part II of the literature). Your response should assert a specific argument about the portrayal of human emotion in response to suffering in each work. You must reference specific details in the literature as well as the painting to support your argument. Conduct research to locate images of the following paintings:

Giotto’s "Lamentation"
Bosch’s "Triptych of The Temptation of St. Anthony"
Your response should be at least 750 words in length, with all sources (including the artwork) properly cited. Click here to view a rubric for this project.

In concrete mixers what seems to be the speakers feeling about the concrete mixers

What would the tone of the prologue to romeo and juliet be?

With this 3 questions ! really need them right! 1. the first continental congress met in philadelphia on september 5, 1774. all of the colonies sent representatives except georgia. this congress continued in session until october 26, 1774. by then it had passed resolutions calling for a boycott against british trade. the author's main purpose was a. to inform b. to persuade c. to instruct d. to give an opinion 2. identify the point of view of each of the following passages. "my second mate was a round-cheeked, silent young man, grave beyond his years, i thought; but as our eyes happened to meet i detected a slight quiver on his lips. i looked down at once. it was not my part to encourage sneering on board my ship. it must be said, too, that i knew very little of my officers." (joseph conrad, "the secret sharer") a. first person b. third person limited c. third person omniscient d. none of the above 3. identify the point of view of each of the following passages. "he had only himself to in his choice: his fortune was his own; for as to frank, it was more than being tacitly brought up as his uncle's heir, it had become so avowed an adoption as to have him assume the name of churchill on coming of age. it was most unlikely, therefore, that he should ever want his father's assistance. his father had no apprehension of it." (jane austen, emma) a. third person omniscient b. third person limited c. first person d. none of the above