Would Nietzsche agree with Macbeth’s means of ascending the throne?

As in all or almost all Shakespeare plays the opening scenes of Macbeth are key to setting up the problem the play addresses. In his Scottish play Shakespeare uses the opening scenes to set the two main contexts in which the regicide, usurpation, tyranny, and fall of the tyrant occur. The two are, we might say, the earthly or political context and the cosmic or superhuman context represented by the witches. In presenting these two contexts Shakespeare appears to be engaging in a dialogue with Machiavelli's Prince, taking cues from Machiavelli's political analysis on how to understand the political character of Scotland and taking issue with Machiavelli's ultimate agenda of a conquest of Fortuna.

Journal Information

The Review of Politics publishes primarily philosophical and historical studies of politics, especially those concentrating on political theory and American political thought. Thoughtful scholarly reflections on all aspects of politics - including analysis of institutions and techniques, analysis of literary reflections on politics, political interpretations of literary works, and constitutional theory and analysis - are also welcome. Some of the first essays advocating 'realism' were published in The Review, as well as articles from its opponents in international relations; both perspectives are accepted parts of the journal's coverage. Instructions for Contributors at Cambridge Journals Online

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