Recreate a texting conversation that Macbeth and Lady Macbeth might have had if they had phones at the time. You will use Act 2, Scene 2 as your inspiration for their conversation. The conversation MUST be school
appropriate.

Why did dante most likely choose to write his views on christianity in an indirect manner when he wrote the divine comedy a) dante knew that his family would be looking for hidden messages of his well-being writing and the style gave them personal insight b)donte thought about his own christian views and personal shortcomings as he wrote it and by writing in the style leaders could do the same as dr. thought about his own christian views and personal shortcomings as he wrote it and by writing in the style leaders could do the same as they read it c) dante wanted to point out the church leaders feelings in a very public way so the style of writing allowed him to give names and grievances d) dante felt that writing for entertainment was for riders if you hadn’t fully developed the writing style yet

Mr. pontellier did not attend these soirée musicales. he considered them bourgeois, and found more diversion at the club. to madame ratignolle he said the music dispensed at her soirées was too "heavy," too far beyond his untrained comprehension. his excuse flattered her. but she disapproved of mr. pontellier's club, and she was frank enough to tell edna so. which statement best describes the point of view in the excerpt? the third-person point of view is voiced by an objective character in the story. the third-person point of view is voiced by a subjective character in the story. the third-person point of view is an omniscient observer. the third-person point of view is an observer with limited omniscience.

Which line in this excerpt from the great gatsby by f. scott fitzgerald contains a simile? about half way between west egg and new york the motor-road hastily joins the railroad and runs beside it for a quarter of a mile, so as to shrink away from a certain desolate area of land. this is a valley of ashes—a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens where ashes take the forms of houses and chimneys and rising smoke and finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air. occasionally a line of grey cars crawls along an invisible track, gives out a ghastly creak and comes to rest, and immediately the ash-grey men swarm up with leaden spades and stir up an impenetrable cloud which screens their obscure operations from your sight.