Which contrasts how a medieval text and a Renaissance text would address a divine figure? In the Renaissance text, the divine is more likely to be absent.
In the medieval text, the divine would appear in human form.
In the Renaissance text, the divine would punish sinful behavior.
In the medieval text, the divine would not receive as much praise.

WILL GIVE BRAINLIEST TO THE FIRST CORRECT ANSWER

The messenger says that the play the audience is about to see teaches that (mark all that apply.): life is transitory pleasure and jollity are no in the grave strength and pleasure are when man "lieth in clay" everyman will be called to a reckoning of his life this is a comic play

Which line in this excerpt from the great gatsby by f. scott fitzgerald contains a simile? about half way between west egg and new york the motor-road hastily joins the railroad and runs beside it for a quarter of a mile, so as to shrink away from a certain desolate area of land. this is a valley of ashes—a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens where ashes take the forms of houses and chimneys and rising smoke and finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air. occasionally a line of grey cars crawls along an invisible track, gives out a ghastly creak and comes to rest, and immediately the ash-grey men swarm up with leaden spades and stir up an impenetrable cloud which screens their obscure operations from your sight.

Which of the following is not one of the part of speech