Read the excerpt from The Ancient City. The long jump was the only jumping contest in Greek athletics and was quite different from the modern long jump. It is depicted in a number of vase paintings. The contestant carried special weights (halteres) which he swung forward to give himself greater forward motion. One of these weights found at Olympia weighs over 4.5 kilograms (10 pounds). Evidence for how the jump was executed is confusing, but it is almost certain that the athlete did not make a long run-up. The recorded distances jumped (up to 16.66 metres/54½ feet), which are far in excess of the modern long jump record, suggest that it was almost certainly some kind of multiple jump. Which aspects of the ancient Greek long jump were different from the modern long jump? Check all that apply. It was part of a sporting event. There was no long run-up to the jump. The jumper carried special weights. The jumper made more than one jump. Jumpers’ distances were recorded. Extreme distances were jumped.

Chicago by carl sandburg hog butcher for the world, tool maker, stacker of wheat, player with railroads and the nation's freight handler; stormy, husky, brawling, city of the big shoulders: they tell me you are wicked and i believe them, for i have seen your painted women under the gas lamps luring the farm boys. and they tell me you are crooked and i yes, it is true i have seen the gunman kill and go free to kill again. and they tell me you are brutal and my reply is: on the faces of women and children i have seen the marks of wanton hunger. and having answered so i turn once more to those who sneer at this my city, and i give them back the sneer and say to them: come and show me another city with lifted head singing so proud to be alive and coarse and strong and cunning. flinging magnetic curses amid the toil of piling job on job, here is a tall bold slugger set vivid against the little soft cities; fierce as a dog with tongue lapping for action, cunning as a savage pitted against the wilderness, bareheaded, shoveling, wrecking, planning, building, breaking, rebuilding, under the smoke, dust all over his mouth, laughing with white teeth, under the terrible burden of destiny laughing as a young man laughs, laughing even as an ignorant fighter laughs who has never lost a battle, bragging and laughing that under his wrist is the pulse. and under his ribs the heart of the people, laughing! laughing the stormy, husky, brawling laughter of youth, half-naked, sweating, proud to be hog butcher, tool maker, stacker of wheat, player with railroads and freight handler to the nation. which type of figurative language does the poet use most often in "chicago"? a. rhyme b. simile c. metaphor d. personification

Can someone explain this to me clearly plz

How does shakespeare transform the myth of phoebus and daphne to dramatize this theme?