1. Part A:Which of the following statements expresses a central idea of the text? A. School boards should not have the power to ban books from classrooms.

B. It is immoral to claim that controversial books may poison students' minds.

C. Burning books goes against the freedoms that Americans hold dear.

D. Like all good citizens, Kurt Vonnegut has not lied or produced evil work.

Group of answer choices

C

D

A

B

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Question 21 pts
Which of the following quotes best supports the answer to Part A?

A. " I am a combat infantry veteran from World War II, and hold a Purple HeartI am so much trusted with young people and by young people that I have served on the faculties of the University of Iowa, Harvard, and the City College of New York." (Paragraph 5)

B. " An we all know, too, that those words really don't damage children much . They didnt damage us when we were young. It was evil deeds and lying that hurt us."(Paragraph 6)

C. "books are sacred to free men for very good reasons, and that wars have been fought against nations which hate books and burn them. If you are an American, you must allow all ideas to circulate freely." (Paragraph 8)

D. "If you and your board are now determined to show..maturity when you exercise your powers over the education of your young, then you should acknowledge that it was a rotten lesson you taught young people. "
Group of answer choices

C

D

A

B

hello there!

if i was with a celebrity, i would be with andrew lincoln from the walking dead. this is because i love his work he has done in the show and he is a great actor!

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serve the people! ,” smoothly translated by julia lovell, offers an initial sample of yan lianke’s writing to an english-speaking audience. a bluntly drawn, mildly erotic fable, it teases mao zedong by poking fun at a true believer who obeys the chairman’s precepts too literally. to a western sensibility, the broad strokes of yan lianke’s humor would seem to pose little risk of inciting rebellion, whether of the flesh or of the body politic. but then, part of the book’s attraction is that it doesn’t have a western sensibility. it lets the reader see — or rather, intuit — what jokes chinese officials don’t consider funny, and how very little it takes for a writer to be branded an incendiary in 21st-century china, more than three decades after the death of mao, a decade after the death of deng xiaoping and seven years since china entered the world trade organization, a move that would seem to signal a willingness (however wary) to mingle with the rest of the world.

first of all, dante wanted to write an account of the search for spiritual atonement and salvation, and this desire drew heavily from dante's own experiences. dante was living in exile while writing inferno and so, much like his poetic counterpart, he felt like he had lost his way and needed direction.

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