What perception does the reader have about how Armand fell in love with Desiree, utilizing the figurative language at the beginning of their courtship? What does this indicate about his personality?

Why is it important to include a descriptive subject heading? it in sorting the topics. it the recipient see its importance. e-mail programs won’t allow e-mail to be sent without it. it keeps junk e-mail separate from important e-mail.

Refer to explorations in literature for a complete version of the text. in “letter from birmingham jail,” martin luther king, jr., presents the idea that american history includes african americans, too; that is, african americans can claim the same historical heritage as white americans. at the time, this was a radical idea. how does king develop this theme? select each correct answer. he points out the many ways that african americans have contributed to the culture of america. he describes how african americans were present “before plymouth rock” and through many key moments in american history. he argues that african americans would have participated in more events of american history if white americans had been willing to include them. he makes connections between the american fight for independence from britain and the civil rights movement.

In this excerpt from "quality" by john galsworthy, which two parts clearly indicate the literary point of view of the essay? that tenement had a certain quiet distinction; there was no sign upon its face that he made for any of the royal family—merely his own german name of gessler brothers; and in the window a few pairs of boots. i remember that it always troubled me to account for those unvarying boots in the window, for he made only what was ordered, reaching nothing down, and it seemed so inconceivable that what he made could ever have failed to fit. had he bought them to put there? that, too, seemed inconceivable. he would never have tolerated in his house leather on which he had not worked himself. besides, they were too beautiful—the pair of pumps, so inexpressibly slim, the patent leathers with cloth tops, making water come into one's mouth, the tall brown riding boots with marvellous sooty glow, as if, though new, they had been worn a hundred years. those pairs could only have been made by one who saw before him the soul of boot—so truly were they prototypes incarnating the very spirit of all foot-gear. these thoughts, of course, came to me later, though even when i was promoted to him, at the age of perhaps fourteen, some inkling haunted me of the dignity of himself and brother. for to make boots—such boots as he made—seemed to me then, and still seems to me, mysterious and wonderful.