In the myth of Cronus, a powerful titan hears a prophecy that he will be overthrown by his own children, so he devours them. His wife Rhea
gives birth to another son, Zeus, but hides him away. After Zeus grows
up, he forces Cronus to vomit up the children, who then overthrow their
father in anger.
In Ola Rotimi's African play The Gods are not to Blame, Odewale, not
knowing he was raised by foster parents, runs away when it is
prophesized that he will kill his father. On his journey, he accidentally
kills an old man in a fight and agrees to help a village being attacked
after the death of their king. After the battle, Odewale becomes the
new king, not realizing until later that the dead king was both his real
father and the old man he had killed
What motif is present in both the myth and the modern story?

i’m writing a memoir and i’ve been given the great suggestion of placing a ‘sub-narrative’ within some of the chapters – sort of, what was going on with me in the grand scheme of things.

i was wondering how to format this so that it is very obvious we are stepping out the of story.

firstly is a change in font from serif to sans workable? i also use dashes for a scene change. was thinking of using a different scene-changer too.

here’s a (shortened) example:

university – or what’s known as ‘uni’ in australia – were some of the best days of my life. where else do you get to potter around in a great location, have very little responsibility, learn lots of things, do lots of things and walk out four years later with a bonus – a degree!

with my university years i had immersed myself into community of intelligent ambitious people. generally everyone had a confidence about themselves. they knew where they were going in life and weren’t threatened by others.

—–

next normal paragraph continues here…

(sorry couldn’t show the fonts in this comment field)

too much?

may i know the title of the book?

im not 100 percent sure but i think its a

dinner and a movie is the wrong answer !