rewrite pit and the pendulum in third person Choice A: Narrating From the Outside Opens in modal popup window Imagine telling a story without sharing the feelings, emotions, and inner thoughts of the narrator. How could you still make it a compelling read? Choice B: Showing, Not Telling Opens in modal popup window Characters feel all kinds of ways—angry, scared, happy, suspicious. How can you let your readers know how a character feels without using feeling words?

In a debate focused specifically on the topic of whether new laws are needed to prevent distracted driving, the following argument is made. which type of special appeal does it demonstrate? “my opponent is correct—distracted driving is very dangerous. many activities—texting, talking on the phone, looking at maps, eating breakfast—all of these contribute to accidents. yes, we have statistics to support that. however, my opponent is totally ignoring the role that improper and inconsistent maintenance of your vehicle can also have in causing accidents! ” a. false analogy b. red herring c. bandwagon d. fallacy of argument from ignorance