Which statement by Karin Slaughter shows a similar central idea?
I want it to change them, and I want my reader to
feel that change through the character, as if it's them
There has to be this peeling away of the onion,
where you get to the core of the character as the
story unfolds.
o I mean, you know, crime is such a great tool for
talking about the human condition, and that's what I
like to do
If you think about "To Kill a Mockingbird," for
instance, some of those courtroom scenes are more
tense than any Grisham novel, you know.