Analyze the last two lines of the text and explain their meaning. How do lines 13-14 contribute to the theme of the text?
Death, be not proud, though some have called thee

Mighty and dreadful, for thou art not so;

For those whom thou think’st thou dost overthrow

Die not, poor Death, nor yet canst thou kill me.

From rest and sleep, which but thy pictures be,

Much pleasure; then from thee much more must flow,

And soonest our best men with thee do go,

Rest of their bones, and soul’s delivery.

Thou art slave to fate, chance, kings, and desperate men,

And dost with poison, war, and sickness dwell,

And poppy or charms can make us sleep as well

In the wagon where the bread had landed, a battle had ensued. men were hurling themselves against each other, trampling, tearing at and mauling each other. beasts of prey unleashed, animal hate in their eyes. an extraordinary vitality possessed them, sharpening their teeth and nails. -night, elie wiesel what is the tone of this passage? which group of words from the text best reveals this tone? how does the tone contribute to the author's viewpoint? intro done

Read this excerpt from "birdfoot's grampa.” but, leathery hands full of wet brown life, knee deep in the summer roadside grass, he just smiled and said they have places to go to too. why does the author use the words "wet brown life” in this excerpt? a to show that the grass is still alive and growing b to indicate that the mud is all over everything c to signify how wet the night has become d to point out that the toads are living things

Tori is writing a literary analysis of the novel little women. read the following claim statement she wrote about the story. in little women, louisa may alcott uses figurative language to readers understand the feelings and experiences of the central characters. which quote from the story can tori use as evidence to support her claim? a. “she knew it very well, for it was that beautiful old story of the best life ever lived, and jo felt that it was a true guidebook for any pilgrim going on a long journey.” b. “‘and so nice of annie moffat not to forget her promise. a whole fortnight of fun will be regularly splendid,’ replied jo, looking like a windmill as she folded skirts with her long arms.” c. “‘rather a pleasant year on the whole! ’ said meg, smiling at the fire, and congratulating herself on having treated mr. brooke with dignity.” d. “‘what are you thinking of, beth? ’ asked jo, when amy had her father and told about her ring.”