Read the excerpt from "Mother Tongue."

And sure enough, the following week there we were in front of this astonished stockbroker, and I was sitting there red-faced and quiet, and my mother, the real Mrs. Tan, was shouting at his boss in her impeccable broken English.

What can be inferred from the excerpt?
Nonstandard forms of English can be as effective as the standard form of English.
Nonstandard forms of English limit a speaker’s ability to stand up for herself.
Nonstandard forms of English make communication difficult between cultures.
Nonstandard forms of English are used more by older adults than by younger adults.

may i ask what topic?

a: it is sound because it cites an expert’s opinion.

the correct answer is b:

romeo and company are going to sneak in through the back.  

romeo was depressed because he wanted to try to forget about rosaline and be happy again. so mercutio told him to just go and have fun. and they sneak through the back because capuleto and montague families were enemies.

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran