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English, 06.05.2020 02:01 Angelanova69134

Pigs were the next trouble—my own pigs and the pigs of the general public. When I landed on the island I had brought with me from Sydney a lady and gentleman pig of exceedingly high lineage. They were now the proud and happy parents of seven beautiful little black-and-white piglets, and at any hour of the day one might see numbers of natives looking over my wall at the graceful little creatures as they chased one another over the grass, charged at nothing, and came to a dead stop with astonishing rapidity and a look of intense amazement.

One fatal day I let them out, thinking they would come to no harm, as their parents were with them. As they did not return at dusk I sent E'eu, the under-nurse, to search for them. She came back and told me in a whisper that the father and mother pig were rooting up a sweet-potato patch belonging to the local chief. The piglets she had failed to discover. Enjoining secrecy, I sent E'eu and Harry to chase the parents home. This was effected after considerable trouble, but the owner of the potato patch claimed two dollars damages. I paid it, feeling his claim was just.

Next morning the seven piglets were returned one by one by various native children. Each piglet had, according to their accounts, been in a separate garden, and done considerable damage; and 'because they' (the piglets) 'were the property of a good and just man, the owners of the gardens would not hurt nor even chase them,' etc. Glad to recover the squealing little wanderers at any cost, I gave each lying child a quarter-dollar.

Next day I had a piece of ground walled in with lumps of coral and placed the porcine family inside. Then I wrote to the councillors, asking them to notify the people that if any of the village pigs came inside my fence and rooted abyssmal holes in my ground, as had been their habit hitherto, I should demand compensation. His Honour the Chief Justice stated in court that this was only fair and right; the white man had paid for the damage done by his pigs, and therefore he was entitled to claim damages if the village pigs caused him trouble.

Three days after this, as I was discussing theology and baked fowl one night with the local teacher in his own house, a boy burst in and said that there was a strange pig in my garden devouring my crop of French beans. In two minutes I was back in my house, snatched up the Snider, and ran to the garden wall. There was the brute, a great black-and white beast, the biggest native pig I ever saw. His back was turned, but hearing my steps he 'went about' and faced me. 'Twas a bright moonlight night, and the bullet plugged him fair between the eyes. Over he rolled without a kick. Then I heard a shriek or laughter, and saw half a dozen girls scuttling away among the coco-palms. A horrible suspicion nearly made me faint. Jumping over the wall I examined the defunct, and could scarce forbear to shed a tear.

'Twas mine own prized black Australian boar, daubed over with splashes of coral lime whitewash. And the whitewash came from a tub full of it, with which the natives had that morning been whitening the walls of the newly-built village church. The one-eyed old scoundrel of a deacon told me next day it was a judgment on me.

How do the narrator's actions set the plot in motion?

(A) The narrator's flashy appearance and blatant displays of wealth cause the villagers to despise him; they look for ways to force him off their land.
(B) By speaking directly to the chief, the narrator violates the trust of the villagers, which leads the villagers to plot against him.
(C) By sectioning off his pigs and declaring that the villagers must repay any damage done to them, the narrator creates tension.
(D) Paying cash to the villagers for any damage his pigs may have committed triggers a greedy response in the villagers; this causes them to trick him again and again.

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