Read the excerpt from Hemingway's A Farewell to Arms.
"Tenente," Passini said. "We understand you let us talk. Listen. There is nothing as bad as war. We in the auto-
ambulance cannot even realize at all how bad it is. When people realize how bad it is they cannot do anything to stop
it because they go crazy. There are some people who never realize. There are people who are afraid of their officers.
It is with them the war is made."
"I know it is bad but we must finish it."
"It doesn't finish. There is no finish to a war
"Yes there is."
Passini shook his head.
"War is not won by victory. What if we take San Gabriele? What if we take the Carso and Monfalcome and Trieste?
Where are we then? Did you see all the far mountains to-day? Do you think we could take all them too? Only if the
Austrians stop fighting. One side must stop fighting. Why don't we stop fighting? If they come down into Italy they will
get tired and go away. They have their own country. But no, instead there is a war."
Which best describes the effect of Passini's long pieces of dialogue?

the price of our current war is high; it costs money and it costs lives.

but it does not cost our pride. it does not cost the guilt that would arise from knowing that we did nothing to intervene while our neighboring nations fell to despotic leaders.

it does not cost the terror of knowing that our allies are unstable. it does not cost the fear that we, too, will be next to fall.

which sentence most accurately explains why the speaker's use of the parallel structure is effective in this passage?

a. it underscores that disagreement will not be tolerated and will be dealt with swiftly.

b. it makes the speaker seem like a decisive and capable leader.

c. it emphasizes reasons to fight and inspires listeners to aid the war effort.

d. it establishes the speaker's credibility by acknowledging the difficulties of war.

can you be more do you have options/ if so, you can put it in the chat or edit your question (

well, i hope this at least : ) :

noun: a temporary state of mind or feeling.

adjective: (especially of music) inducing or suggestive of a particular feeling or state of mind.

examples:

hope this ! : )